Likud use vile electoral propaganda in their current drive to maintain power in Israel.

I just watched SBS ‘The FEED’ brief report on the outrage of Amman based Palestinian Hip Hop band, TORBYEH at the unauthorised theft of their music in a vile Likud advert for the upcoming elections in Israel.

Likud has hijacked on of the band’s  tracks for a deplorable ad that relates voting ‘left’ in the upcoming Israeli election with a vote for terrorism and connects the band’s song ‘Ghorbah’ (meaning ‘exile’ in Arabic) with IS.

Torabyeh’s track, ‘Ghorbah’ from 3 years ago, for your edification below

Yahoo News who I never like to quote, (but was lost for other reports) states;  (full report here)

  Torabyeh denounced the unauthorised artistic collaboration with the Israeli party’s “electoral propaganda attacking the so-called Zionist ‘left-wing’.”

“We strongly condemn and reject this ruthless infringement of intellectual property rights and the distortion of the reputation of Torabyeh,” the group said on their Facebook page.

They said use of their song in this context “implicates the Torabyeh group by containing serious accusations of terrorism and association with IS which is consequently putting the group’s members lives at risk”.

Torabyeh stressed it rejected “all forms of cooperation with the Zionist enemy”, and pledged to “take all necessary legal action against those responsible”.

The Likud advert shows the fear mongering behaviour of Netanyahu and his Likud goons. Sorry I can’t translate Hebrew (but not sorry really). But here’s the drum from liveleak…..

The video shows actors playing Islamic State terrorists driving in a white pickup truck with Islamic State flags waving from its windows on a desert road, as Arabic rap music plays in the background.They pull up next to another car and ask the (Israeli) driver how to get to Jerusalem and get the response, “turn left.”As the terrorists drive away, the “Anyone but Bibi” slogan can be seen on the truck’s bumper with the words, “the Left will surrender to terrorism,” and bullet holes appear on the screen. In the end of the clip the title shows “It is us or them. Only The Likud. Only Netanyau” The video is called: It’s us or them – Daesh version.
 (The) Left part(y) (sic) Meretz already demanded to probe the Likud for incitment in this political campaign ad”. See article here

The Likud Advert…..

VICARIOUS because I feel like it! Happy Lunar New Year

The Music courtesy of TOOL

The music video courtesy of Crono on Youtube Official music video)

The words courtesy of nothingspecial22  on Youtube

Eye on the TV
Cause tragedy thrills me
Whatever flavor
It happens to be

Like:
“Killed by the husband”
“Drowned by the ocean”
“Shot by his own son”
“She used a poison in his tea
and kissed him goodbye”
That’s my kind of story.
It’s no fun ’til someone dies

Don’t look at me like
I am a monster
Frown out your one face
But with the other
Stare like a junkie
Into the TV
Stare like a zombie
While the mother holds her child,
Watches him die

Pleas to the sky crying,
“Why, oh why?!”

Cause I need to watch things die
From a distance
Vicariously, I
Live while the whole world dies
You all need it too – don’t lie.

Why can’t we just admit it?
Why can’t we just admit,
We won’t give pause until the blood is flowin’
Neither the brave nor bold
Will write us a story. So,
We won’t give pause until the blood is flowin’

I need to watch things die
From a good safe distance
Vicariously, I
Live while the whole world dies
You all feel the same so
Why can’t we

Just admit it

Blood like rain, come down
Drum on grave and ground

Part vampire
Part warrior
Carnivore and voyeur
Still have the transmittal
Synch to the death rattle…

La, la, la, la, la, la,la-lie (x4)

Credulous at best your desire to believe in
Angels in the hearts of men
Pull your head on out
You Hippies and give a listen
Shouldn’t have to say it all again

The universe is hostile
So impersonal
Devour to survive
So it is, so it’s always been …

We all feed on tragedy
It’s like blood to a vampire

Vicariously, I
Live while the whole world dies
Much better you than I.

Palestinians demand end to UN complicity in Gaza siege

Please excuse my lack of posting. I am writing a book of shorts and will be back.

Mr Curly Is Irrelevant- Cartoon by Michael (the Magnificent) Leunig http://leunig.com.au/images/featured-prints/mr-curly-irrelevant.jpg

Until I feel more relevant, a share……….

If you’re wondering how Gaza is faring since it was pounded and further crippled by Israeli aggression, click below.

Palestinians demand end to UN complicity in Gaza siege.

And some accompanying music War Pigs- Black Sabbath (live) Paris 1970

Palestinian Music for now

From Vox site with some information that I would dispute – namely that “Officially, there is no internationally recognized line between Israel and Palestine; the borders are considered to be disputed, and have been for decades” VOX there is a border it depends to which official you are referring. In the unanimously supported UN Resolution 242 of 22 Nov 1967 “emphasising the inadmissibility of the acquisition of territory by war..”

states in part and accordance with Article 2 of the Charter of the UN:

1. Affirms that the fulfilment of Charter principles requires the establishment of a just and lasting peace in the Middle East which should include the application of both the following principles:

(i) Withdrawal of Israel armed forces from territories occupied in the recent conflict;

(ii) Termination of all claims or states of belligerency and respect for and acknowledgment of the sovereignty, territorial integrity and political independence of every State in the area and their right to live in peace within secure and recognized boundaries free from threats or acts of force;

 Above, from the wealth of Palestinian hip-hop is the group DAM, whose name is both an acronym for Da Arabian MCs and the Arabic verb for “to last forever.” The group has been around since the late 1990s and are from the Israeli city of Lod, Israeli citizens who are part of the country’s Arab minority. The Arab Israeli experience, typically one of solidarity with Palestinians in the West Bank and Gaza and a sense that Arab-Israelis are far from equal in the Jewish state, comes through in their music, which is highly political and deals with themes of disenfranchisement and dispossession in the great tradition of American hip-hop.

Christiane Amanpour interviewed DAM about their music last year. Above is their song “I Don’t Have Freedom,” full English lyrics of which are here, from their 2007 album Dedication. Sample line: “We’ve been like this more than 50 years / Living as prisoners behind the bars of paragraphs /Of agreements that change nothing.”

and this video via RAP NEWS

Published on Apr 24, 2014

“RAP NEWS 24: ISRAEL & PALESTINE [S02:E04]. Decades of failed peace talks have led nowhere; but do not lose hope just yet. Join Robert Foster as he attempts to host the first ever Middle East Peace Raps, using rhyme and reason to bring together Israeli Prime Minister Benjamin “Bibi” Netanyahu, and a representative of Hamas. The picture would not be complete however, without a discussion of “America’s last taboo” (as Edward Said once referred to it): the USA’s role as Israel’s best – and only – buddy in the world (Ok, together with Australia). Featuring special cameos from prominent American Jewish scholar, Dr. Norman Finkelstein, and Palestinian rap legends, DAM, this is an episode for the ages. Join us as we bravely (or perhaps stupidly) take on one of the most bitter, divisive and controversial conflicts of our times: Israel & Palestine.

Written & created by Giordano Nanni & Hugo Farrant in a suburban backyard home studio in Melbourne, Australia, on Wurundjeri Land.”

More to come under my Music tag

HAKA “KA MATE KA MATE” New Zealand v USA

It is an inspiring few minutes at any time to watch a Haka being performed.

The recent New Zealand basketball team version when they played the USA is priceless. I am always inspired by the sound, vision and passion of a haka, usually I see it against Australia and we’re very used to our south Pacific bro’s ‘dance’ but this one has that extra of coming unexpected. The looks on the USA players say so much, they seem intrigued and in a bewildered wonderment at the chant.

Even though the NZ team lost to USA at this point the USA appeared the real loser.

The Afro-American team members will have mostly lost any African or even Caribbean cultural heritage they have in their backgrounds, subsumed by the modern ‘culture’ of the US.

Even though culturally speaking for the Maori that haka is relatively new, the tribal meaning and connection remains in the performance. The fact that as a nation New Zealand has a treaty (Waitangi) with its indigenous population ensures a respect that garners collaborative approaches in many areas of New Zealand policy. Something sadly also missing in Australian history (see last  link below for Yothu Yindi Video ‘Treaty’)

The US is not united and even though Team USA won the game with panache and basketball superiority, my feelings went out particularly to the Afro-American team members who, for a brief moment seemed to recognise something from their past that they had lost.

Ka mate Ka mate

Ka mate Ka mate                                       It is death It is death
Ka ora Ka ora                                             It is life It is life
Ka mate Ka mate                                       It is death It is death
Ka ora Ka ora                                             It is life It is life
Tenei Te Tangata Puhuruhuru               This is the hairy man
Nana i tiki mai whakawhiti te ra             Caused the sun to shine again for me
Upane Upane                                            Up the ladder Up the ladder
Upane Kaupane                                        Up to the top
Whiti te ra                                                  The sun shines! 

Maori Lyrics translated to English see site here  

and from the All Blacks Rugby website some brief background to the Ka Mate chant (see here ) a section appears below.

“KA MATE 

The famous haka; Ka Mate Ka Mate, was composed by Ngati Toa Chieftain Te Rauparaha around 1820, with the story of its composition being well known within the oral histories of Ngati Toa and Ngati Tuwharetoa, the two iwi (tribes) most associated with its origins.

During a time of conflict Te Rauparaha was being pursued by warriors of a rival iwi, and was hidden by Te Wharerangi of Tuwharetoa in a kumara (native sweet potato) pit, with Te Wharerangi’s wife Te Rangikoaea being directed to sit on top. Guided by their Tohunga (scholar/priest) the warriors searched for Te Rauparaha and as they drew near he muttered “Ka Mate Ka Mate” (It is death, it is death).

Concealed from the Tohunga by the spiritual powers of both food and the woman above, Te Rauparaha was not discovered, and as the searchers passed overhead he muttered “Ka ora Ka ora” (It is life, it is life). When the warriors finally departed Te Rauparaha was able to climb up out of the kumara pit chanting “Tenei te tangata puhuruhuru nana nei i tiki mai whaka whiti te ra”. There are many interpretations of these words and “tangata puhuruhuru” may be a reference to the hairy man (Te Wharerangi), but Ngati Toa oral tradition holds that Te Rauparaha was giving credit to the spiritual power of Te Rangikoaea as he ascended (Upane, Kaupane) from the darkness of the pit into the light of the sun (Whiti te ra! Hi!)

Then there’s the All Blacks additional Haka, ‘Kapa O Pango’ translated simply as ‘team in black’.

Rather than replace the traditional haka, Ka Mate, Kapa O Pango sits alongside it as a new addition to the All Blacks’ tradition. Kapa O Pango is performed from time to time at the team’s discretion………….. A year in the making, Kapa O Pango was written for the team by Derek Lardelli, an expert in tikanga Maori (Maori culture and customs) of the Ngati Porou iwi. Its words and actions celebrate the land of New Zealand, the silver fern and its warriors in black.

Kapa O Panngo                                      Let me go back to my first gasp of breath
kia whakata hoki au i ahau                  Let my life force return to the earth
hi aue, hi                                                                        

ko aotearoa e ngunguru nei                   It is New Zealand that thunders now
au! au! aue ha!                                           And it is my time! It is my moment!
ko Kapa O e ngunguru nei                      The passion ignites! This defines us as the All Blacks
au! au! aue ha!                                           And it is my time! It is my moment!  
i ahaha                                                        The anticipation explodes!
ka tu te ihiihi                                               Feel the power              
ka tu te wanawana                                     Our dominance rises                   
ki runga i te rangi e tu iho nei, tu iho nei Our supremacy emerges To be placed on high
ponga ra!                                                       Silver fern!
Kapa O Pango!                                             All Blacks!
ponga ra!                                                      Silver fern!               
Kapa O Pango!                                             All Blacks!
aue hi!                                                            aue hi!

RESPECT! to New Zealand for the Treaty

The Intrinsic Communicative Power of Music

This has to be the funniest thing I’ve seen all day.

Derek Klingenberg, a farmer from Kansas (USA) plays Lorde’s “Royals” on his trombone in a an empty field…..keep watching…..

Hope he gets it together every now and again for his cows, they look like real fans. Doubt he’d have the same following down at the local pub!