Thanks to Wall Street, America Has Growing Greek-Like Debt Bombs

http://wallstreetonparade.com/2015/07/thanks-to-wall-street-america-has-growing-greek-like-debt-bombs/

Wall Street rich kids in a global lolly shop get paid to put you down the sewer for the rest of your life…..off with their heads ….but we have no red queen and they all seem to end up jumping off skyscrapers…funny peculiar dont you think…
More from the indomitable Pam and Russ Martens…

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Palestina the Centre of the World of 43 AD – Who did you say had rights to that land?

BOYCOTT!

Toe Knee Bleah skips into town to negotiate peace…Hello mushroom cloud, hello Sky News [Sincere apologies to Ronald Searle and Geoffrey Willans (both so talented and missed) ] From the Molesworth Series the cartoon of Basil Fotherington- Thomas Basil Fotherington-Thomas. A weed and a sissy. He has curly blond locks and is prone to skip around the school girlishly saying “Hello clouds, hello sky”.

Early 20th century photograph of young Palestinian girl wearing indigenous dress

BOYCOTT ISRAEL

Brandis says Palestinian Territory is NOT Occupied

There will be NO fun, NO goods, NO LIFE

The Israeli military, relentlessly and methodically, is driving people out of the 3-kilometer (1.8 mile) buffer zone it says it needs to protect against Hamas rockets and tunnels. According to the United Nations Office for the Coordination of Humanitarian Affairs, the buffer zone eats up about 44 percent of Gaza’s territory. Read more at http://www.liveleak.com/view?i=544_1406734466#B2WIu8q0Shs7PzPd.99

A famous Australian cartoonist’s thoughtful view – Michael Leunig

Handala, His creator, Naji Al-Ali ( On July 22, 1987, in London, Naji Al-Ali was assassinated as he walked towards the offices of Al-Qabas newspaper. He died in the hospital on August 29th. His murderer has never been apprehended) wrote: “The child Handala is my signature, everyone asks me about him wherever I go. I gave birth to this child in the Gulf and I presented him to the people. His name is Handala and he has promised the people that he will remain true to himself. I drew him as a child who is not beautiful; his hair is like the hair of a hedgehog who uses his thorns as a weapon. Handala is not a fat, happy, relaxed, or pampered child. He is barefooted like the refugee camp children, and he is an icon that protects me from making mistakes. Even though he is rough, he smells of amber. His hands are clasped behind his back as a sign of rejection at a time when solutions are presented to us the American way.”